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From One String Guitars to Optical Pickups - The Wonders of Modern Bass Guitars PDF Print E-mail
Monday, 30 March 2009

The standard electric bass guitar has four strings, although five and six string ones are fairly easy to locate, and acquiring one with greater than six strings is simply a case of paying extra for a custom boutique guitar. However, there is an alternative scale to move towards, and you may be surprised to learn that three string and even two string instruments are available - and for the ultimate challenge - a single string electric bass model!

A wide variety of techniques have been employed by those who design, manufacture and play electric bass guitars, and many of these techniques have focused on trying to extend the range of notes available, such as being able to provide more than one octave of notes at any single position, or increasing the range of tones available. In addition to reducing the number of strings, different ways of tuning have been explored, including for example a tenor bass or piccolo bass.

Another way that extended range of octaves that has been included has been to increase the number of strings to 12 or even 15. In this way, multiple octaves can be included, with strings being paired against those an octave above or below. This is the same way in which standard 12 stringed items are used.

As well as developing alternative ways of enhancing or affecting the voice, tone and range through the number of strings and the way they are arranged, the pickups play an important role too. Electric bass guitars use two basic types of pickup - although these are always electrical. The basic way in which the standard pickup works is by detecting the small electric charge generated by the vibrating metal string near the magnet. This electrical signal is fed through to an external amplifier and the sound created.

Instead of using these pickups some models have piezoelectric pickups, and these work on a more mechanical method. These pickups detect the physical movement of the strings rather than the electrical current the movement generates. Because this is a non-magnetic pickup, based on a physical movement, the tone and sound is quite different, and is said to compare more closely to the sound produced by an acoustic bass guitar. Again, as no magnetic detection is used, the strings don't have to be steel, or even metal, and both nylon and silicone have been used fairly commonly.

A third alternative, though rare, is the optical pickup. In these cases, LEDs, or Light Emitting Diodes track the movement of the strings optically, and then these tones are reproduced electrically. Because no magnets are used, and the pickup is purely optical, the buzz or hum associated with these kind of instruments is able to be left out, producing a much clearer, brighter note.

Today more and more electrical bass instruments are including in-built electric circuitry which boosts the signal at the point of pickup, and also allows for some alteration of the tone and voice before the signal is sent to the external amplifier - previously only included in the high end, boutique models.

Victor Epand is an expert consultant for guitars, drums, keyboards, sheet music, guitar tab, and home theater audio. You can find the best marketplace at these sites for electric bass guitars, humbuckers, pickupssheet music, guitar.

 
The Perfect Home Recording Studio PDF Print E-mail
Sunday, 31 August 2008
Home computer music recording has become extremely popular, both as a hobby and as a legitimate means of live recording and mixing. For the serious musician or recording technician, the computer/software combination offers ease of use and lower cost, and it requires less space than traditional methods of recording. 

Recording can be accomplished by using a "mixing board" to pre-mix multiple signals with their corresponding analog effects (if desired) before sending them to the computer, or each "plain" signal can be recorded independently to its own track through a computer audio interface, software effects applied, and the individual tracks then mixed together. 

Using a mixer and analog effects, one could conceivably record without the benefit of multiple tracks, resulting in the need for less expensive, more simplistic software. For much greater control and a more polished sound, a quality multitrack software with effects is preferred. 

Although more difficult to learn and use, multitrack software provides many more options for the user. The cost for quality multitrack recording software can range from $40 to several hundred dollars. Don't let the low prices fool you though, many a great recording has been made with shareware recording software. 

If you aren't experienced in multitrack recording, purchasing at the low end of the spectrum makes sense. It's best to choose a product that will accept plug-ins, though. Plug-ins are small pieces of software that provide various functions (typically effects) that can be installed into the multitrack software, providing greater flexibility to the sound engineer. Several companies produce audio software plug-ins of the vst or directx variety that will work with even low cost software. A number of the plug-ins are actually offered free of charge. 

For the more serious enthusiast, the computer (pc) should contain at least a Pentium 4 or Athlon 64 processor, 200gb, 7200 rpm IDE or Serial ATA hard drive, 1 gigabyte of dram, a good video card, and a high quality sound card. Any on-board video should be disabled in the cmos setup and a quality graphics card with at least 64mb ram installed. 

A flat panel monitor with a 19" screen is preferred over a crt. With the large viewing area, the video resolution can be set at 1280 x 1024, enabling more of the audio recording software to be viewed on the screen at one time. 

On-board audio (if available) should also be disabled and a high quality sound card installed into the computer. Also, invest in a pair of quality, amplified, near-field monitors. These speakers are designed specifically for music recording. Remember, if you're serious about your recordings, you'll want the music to be reproduced as realistically as possible. 

A computer audio interface of some sort is a real necessity. It should have 1/4" inputs for instruments such as electric guitars or keyboards, as well as XLR inputs for microphones. 48v phantom power should be avaiable for condensor mics, as well. A mixer could even be plugged into the audio interface if more flexibility is needed. 

More and more, musicians are realizing the high quality and low costs associated with producing their own recordings, while those interested in the technical side of recording can see the increased benefits of digital recording, mixing and mastering. 

About The Author

Steve Leedy is a local government computer IT and webmaster with a keen interest in home music recording. His website,http://www.pcmusicstuff.com/ contains a variety of software and information for anyone interested in learning digital audio recording.

 
The Role of Major Record Labels in Music PDF Print E-mail
Saturday, 30 August 2008
Have you ever thought how important music has become for us? I cannot remember a day when I didnít hear any music at all. I love the stuff. You might have a collection of CDs, or albums, or you simply turn on the radio while commuting to work. Have you ever considered how the music gets to you and who makes the decision about what music gets played? Maybe you have wondered why only certain artists get played and have their music sold in major retail stores. Have you thought about what trends are going to take over music next? I suppose you will find the answer to all your questions in major record labels. 

When you love or hate an artist is it because you like or dislike their record label? The major record labels take on new artists and promote their music, they might also assist other companies in planning tour promotions and other public events. 

Generally a recording company takes on an artist for a certain period of time or a certain number of recordings. Take a look at your CD and DVD collection. Do you see that nearly 90 % of them come from one of the five major record labels? 

The big five are Universal Music Group, Sony Music Entertainment, EMI Group, Warner Brothers and BMG entertainment. They make up the five major record labels. They deal with millions of artists, videos and movies. In case you would like to work in the music industries you should turn to any of the big five record labels. 

Are you looking at your CD covers to find information about the record labels? In case you see a name different than one of the big five, donít worry. Your CD is not necessarily duplicated. 

It is more likely that you have purchased a CD from one of the major record labels subsidiary companies. They all own subsidiary companies. 

For instance, do you remember the once great Motown record label? Now it is a subsidiary of Universal Music Group, while Capital Records is a member of EMIís subsidiaries. There are hundreds of other companies, too. 

What we listen today is mainly determined by the major music labels. But I suppose you donít really care about the big fine when you are enjoying this new hip hop hit or singing along number one country song. What is undoubtedly true is that with the help of major record labels music plays a large part in our lives. 

About The Author

Morgan Hamilton offers expert advice and great tips regarding all aspects concerning music. Get the information you are seeking now by visiting http://www.mymusicreport.com/music--more/music/the-role-of-major-record-labels-in-music.html 

 
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